Much Ado About Nothing
William Shakespeare
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Character Analysis: Beatrice
Beatrice is the niece of Leonato, governor of Messina. Feisty and sharp-tongued, she subverts the Elizabethan expectation of the modest, dutiful maiden embodied by her cousin Hero, to whom she is fiercely devoted, and is frustrated by the lack of agency afforded to women in her culture. Her name means one who blesses, implicitly linking her to Benedick, whose name means blessed.
While some sources list Beatrice as Antonio’s daughter, there is more textual evidence to support her being an orphan: she is far more independent than the filial Hero and does not defer to Antonio’s authority at any point. Further, Antonio makes no attempt to control her or to cajole her into getting married when she initially refuses to take a husband. Indeed, no one seems very concerned by Beatrice’s refusal to marry – the other characters only conspire to bring her together with Benedick as a form of amusement.
Beatrice is free-spirited and unafraid to enter the world of male conversation. For example, in Act 2 Scene 1, she tells Claudio “speak, count, ‘tis your cue” and playfully teases him about being “something of that jealous complexion” in front of Don Pedro. She exhibits none of the modesty expected of a maiden eligible to be married. Far from detracting from her beauty, her disdainful humour beguiles both the audience and the other characters. In Act 2 Scene 1, there is an awkward moment in which Don Pedro asks “will you have me, lady?” – so attracted by her vivacious wit that he impulsively proposes to her. Beatrice wisely replies that “your grace is too costly to wear every day,” knowing that, as a commoner and an orphan, she would be an unsuitable wife for a prince.
As the more assertive, confident cousin, most critics believe Beatrice to be older than Hero. While Shakespeare does not explicitly state his characters’ ages, the suggestion of a past relationship between Benedick and Beatrice supports this view – see Act 2 Scene 1:
Don Pedro: Come, lady, come, you have lost the heart of Signor Benedick.
Beatrice: Indeed, my lord, he lent it me a while, and I gave him use for it, a double heart for his single one, marry once before he won it of me with false dice, therefore your grace may well say I have lost it.
Here, Beatrice is playing on the idea of lovers exchanging hearts: she gave him hers but Benedick only “lent” his and took it back, meaning he possessed a “double heart.”
While this was no doubt a sad occasion for Beatrice, the wordplay makes light of her sorry as she affects an air of proud apathy towards Benedick.
From the beginning of the play, the similarities between Benedick and Beatrice are striking – not least in terms of their scorn for marriage. In Act 1 Scene 1, Beatrice comments that “I had rather hear my dog bark at a crow than hear a man say he loved me” and Benedick expresses similar sentiments in response to Claudio’s gushing infatuation with Hero. In many ways, the pair are more reminiscent of Shakespearean clowns than lovers.
However, after the aborted wedding scene, the play takes on a distinctly darker tone and underlying gender tensions are brought to light. Appalled at the slander of her innocent cousin, Beatrice declares “oh God that I were a man! I would eat [Claudio’s] heart in the marketplace,” expressing her anguish at her powerlessness to avenge Hero. The mention of the marketplace, an explicitly public space, suggests Beatrice’s exclusion from the male-coded world of honour and vengeance. By coercing Benedick to challenge Claudio to a duel, Beatrice makes him her instrument of revenge, forcing him to stand against the misogyny which undoes her cousin.
Before this promise can be fulfilled, however, Hero’s honour is restored and the play ends on the happy prospect of a double wedding. Unlike Hero, who is once again ‘given’ to Claudio by her father, Beatrice unveils herself out of choice to ask Benedick "What is thy will?: (This is also a cheeky double entendre - the word will had sexual connotations which would have been obvious to Shakespeare’s audience). While the pair may joke that they only love each other out of pity, the audience knows better – this is, we hope, a true marriage of minds which will result in lasting happiness.
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Much Ado About Nothing
Sample Essay
Our story begins in Messina. Leonato, the governor, and Beatrice, his niece, arewaiting for Don Pedro, a prince, to return from a successful battle. A messenger informs them that Don Pedro will be accompanied by Benedick and Claudio, two young nobles. Beatrice seems interested in this news and Leonato mentions a “merry war” between Benedick and Beatrice, suggesting they have a history of banter and sparring.
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