Othello
William Shakespeare
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Character Analysis: Desdemona
Parental control over marriage was a key concern in Elizabethan society. Women, of upper classes especially, were defined by their father and husband, or any other relation to a man. This is emphasised in Othello through Desdemona’s use of “lord” to describe both her husband Othello and father Brabantio throughout the play. Her loyalty to these men, including the transfer of loyalty from her father to her husband through marriage, is particularly significant because of its adherence to the expectations of Renaissance Englishmen in Shakespeare’s audience. This piece of context is important to keep in mind throughout the reading of Shakespeare, or any text of this era for that matter, as it provides depth and helps us to understand why Shakespeare wrote about specific concerns and themes in this way.
Desdemona is a curious character because of the vast difference between her public perception and how we, as a contemporary audience, view her actions. Throughout the play, many characters (especially the men) venerate her as pure, passive, and submissive. And maybe the expectation that she should be that way is the main reason she is viewed through this tainted lens. However, upon facing her father in the very first act, we see her very much capable of holding her ground and defending her own decision to marry Othello (and not because she was enchanted by some evil black magic!). Yet, we see her also have a strong moral conscience – she is not a mean-spirited person consumed with making decisions to upset her father, nor is she a foolish heroine blindly following her heart like some of Shakespeare’s other female characters. She describes her disregard for her father’s disgust over the marriage as “downright violence” does not wish any harm to be done to her father.
And as for Othello’s horrific treatment towards Desdemona, we see her continuing to uphold her honour and remain fiercely loyal to her marriage. Even in private to Emilia, she strongly stands by her incapability to be unfaithful to Othello.
Desdemona, even during Othello’s violent acts towards her, maintains her dignity and dare I say maturity throughout the play. She understands, to an extent, her value and worthiness of a loving and understanding husband; yet, this ends up killing her. Her defiant tone in “I have not deserved this” in Act 4, and her anticipation of her death in the final act “Farewell” provides us with evidence that she should be given more credit than she is, particularly in regards to her kind nature and loyalty to the men in her life. She asks for Emilia to “commend [her] to [her] kind lord” and defends her husband despite his harsh cruelty.
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Othello
Sample Essay
Although Othello may not contain the same immense philosophical contempla- tions as Shakespeare’s other works, it is still arguably one of his most gripping plays. It draws upon the primitive feelings of jealousy and contains the action and excitement of a modern thriller – murder, suicide, and a man brought to the brink of insanity due to uncontrolled jealousy and passion. The exact date when Othello was written is unknown; it has been suggested it was produced as early as 1601, but was more likely composed during the time when Shakespeare wrote his most famous tragedies, including Hamlet. For the purposes of English studies and essays, the date that most teachers and scholars use is 1604, for this was the year of the first performance, though the play wasn’t formally published until 1622. Set in the romantic city of Venice, Italy, Othello follows the tension and drama of a lead character, Othello, who disrupts Shakespearean society through being “Moorish” and Black, though Shakespeare never specifies Othello’s actual ethnicity. Nevertheless, this racial tension is at the heart of many of the themes Shakespeare explores in this play.
Act 1
Brabantio is informed by Roderigo and Iago that his daughter, Desdemona, has eloped with a black commander of the Venetian military forces – Othello. Roderigo is in love with Desdemona and Iago is angry at Othello for choosing Cassio to be his second in command over him. Upon Othello’s arrival, Othello is ordered to defend Cyprus against a Turkish fleet. Iago begins to plot revenge against Othello.
Act 2
Despite the terrible weather, the Venetians arrive in Cyprus to the news that the Turkish army has dissolved their attack on Cyprus. Iago convinces Roderigo that Desdemona is in love with Cassio, and instigates the idea that Roderigo should start a fight with Cassio. Later that night, Iago ensures that Cassio is drunk (against Othello’s orders that no soldiers were to drink). The fight ensues, waking Othello. After Othello demands an explanation, Iago, in his roundabout way, does not directly blame Cassio, but still cunningly incriminates him. Cassio is dismissed from his newly appointed position. Iago then suggests Cassio regain his post through Desdemona’s influence on Othello. However, this is not some sort of benevolent suggestion to help a friend out; it is a ploy to falsely implicate Desdemona as having an affair with Cassio.
Act 3
Desdemona tries to mediate on Cassio’s behalf, and Iago uses this as opportu- nity to suggest to Othello that she is doing so because there is more than just a friendship between her and Cassio. The idea of disloyalty to Othello seems more and more likely, as Iago plants circumstantial evidence against Desdemona. Later, when Desdemona realises that Othello is feeling uneasy, she tries to soothe him with her handkerchief, which is dropped as Othello pushes it away.
Iago’s wife Emilia later finds the handkerchief and gives it to Iago, and this helps aid the evidence he is developing against Desdemona and Cassio. This Act is where the tension is heightened, namely by Othello requesting the handkerchief back, and Desdemona innocently continuing to defend Cassio’s reinstatement to his post. This solidifies her supposed adultery in Othello’s mind, and thus Othello decides to seek revenge against her.
Act 4
Othello collapses in a fit as a result of Iago’s persistent efforts to add fuel to Othello’s jealousy. Upon his recovery, Iago arranges for Othello to overhear a meeting between Cassio and Desdemona, in order to further convince Othello of Desdemona’s alleged infidelity. Othello now truly wants to kill Desdemona, and Iago plots to kill Cassio. Later, to everyone’s complete horror, Othello abuses Desdemona in public, and then in private, calls her a “whore.”
Act 5
Roderigo fails to kill Cassio after Iago encourages him to do so. Instead, Roderigo only wounds Cassio. Concurrently, Othello is about to kill Desdemona as soon as she wakes. She is smothered in her bed by Othello. Emilia discovers the pair, and defends Desdemona and her loyalty to Othello. Iago’s villainy is discovered as soon as the handkerchief situation been explained by Emilia. Iago enters the scene, Othello attacks him, and Iago kills Emilia. Under arrest, Iago refuses to explain or provide reason or apology for his actions. After asking Cassio for his forgiveness, Othello stabs himself and dies.
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