Twelfth Night

William Shakespeare

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All Guides > Twelfth Night > Quote Bank > Class and society

Quote

Character

Act/Scene

“What great ones do, the less will prattle of”

Sea Captain

Act 1 Scene 2

“O that I served that lady... Till I had made mine own occasion mellow / What my estate is!”

Viola

Act 1 Scene 2

“I’ll pay thee bounteously”

Viola

Act 1 Scene 2

“[Sir Andrew] has three thousand ducats a year.”

Sir Toby

Act 1 Scene 3

“Ay, but... [Sir Andrew is] a very fool and a prodigal.”

Maria

Act 1 Scene 3

“[Olivia will] not match above her degree, neither in estate, years, nor wit.”

Sir Toby

Act 1 Scene 3

“[Orsino is] virtuous... noble, / Of great estate, of fresh and stainless youth... free, learned, and valiant... A gracious person. But yet I cannot love him.”

Olivia

Act 1 Scene 5

“[My parentage is] Above my fortunes, yet my state is well: I am a gentleman.”

Viola

Act 1 Scene 5

“I am no fee’d post, lady; keep your purse; My master, not myself lacks recompense.”

Viola

Act 1 Scene 5

“If you will not murder me for my love, let me be your servant.”

Antonio

Act 2 Scene 1

“Tis not the first time I have constrained one to call me knave.”

Sir Andrew

Act 2 Scene 3

“My masters, are you mad?... Have you no wit, manners, nor honesty but to gabble like tinkers at this time of night?”

Malvolio

Act 2 Scene 3

“Art [thou, Malvolio] any more than a steward?”

Sir Toby

Act 2 Scene 3

“I can write very like my lady”

Maria

Act 2 Scene 3

“[Orsino’s] mind is a very opal.”

Feste

Act 2 Scene 4

“My love, more noble than the world, Prizes not quantity of dirty lands”

Orsino

Act 2 Scene 4

“To be Count Malvolio!”

Malvolio

Act 2 Scene 5

“Some are born great, some achieve greatness, and some have greatness thrust upon ‘em.”

Malvolio

Act 2 Scene 5

“So thou mayst say, the king lies by a beggar, if a beggar dwell near him; or, the church stands by thy tabour, if thy tabour stand by the church.”

Viola

Act 3 Scene 1

“Why appear you with this ridiculous boldness before my lady?”

Maria

Act 3 Scene 4

“Or else the lady’s mad; yet, if ‘twere so, /She could not sway her house, command her followers, / Take and give back affairs and their dispatch / With such a smooth, discreet and stable bearing / As I perceive she does”

Sebastian

Act 4 Scene 4

“We will our celebration keep / According to my birth.”

Olivia

Act 4 Scene 3

“Be that thou know’t thou art, and then thou art / As great as that thou fear’st.”

Olivia

Act 5 Scene 1

“Think of me as you please. I leave my duty a little unthought of and speak out of my injury.”

Fabian

Act 5 Scene 1

“Your master quits you; and for your service done him... So far below your soft and tender breeding... you shall from this time be / Your master’s mistress.”

Orsino

Act 5 Scene 1

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Twelfth Night

Sample Essay

Count Orsino is infatuated with the Countess Olivia, who refuses his suit.    
 
Viola is washed ashore after a shipwreck, her twin brother presumed drowned. She disguises herself as a man in order to serve in Orsino’s court. As ‘Cesario’, Viola quickly gains favour and is sent by Orsino to woo Olivia on his behalf. Viola does so reluctantly, having fallen in love with Orsino herself.

Olivia then falls in love with ‘Cesario’, forming a classic love triangle. Viola’s twin brother, Sebastian, is alive! A Captain called Antonio rescued him from the shipwreck. Sebastion looks exactly like his sister, who he assumes has drowned. Antonio cannot walk openly as he is a wanted man, so they arrange to meet up later.


Olivia’s uncle Sir Toby Belch and the incompetent knight Sir Andrew Ague, a suitor to Olivia, spend their days in drunken rowdiness at her court, sometimes joined by Olivia’s gentlewoman Maria, to the disdain of the steward Malvolio. He rebukes all three for some late-night revelry. In revenge, Maria forges a letter which convinces Malvolio that Olivia loves him, and that he should carry out various ridiculous actions if he loves her in return.

Viola/Cesario is sent again to Olivia, where the Countess confesses her love. Upset that Olivia shows more favour to Cesario than to himself, Sir Andrew challenges Viola/Cesario to a duel. Antonio, mistaking Viola for her brother, steps in to fight on ‘Sebastian’s’ behalf. As he is dragged away by police, Antonio is upset that Viola does not recognise him. Viola begins to suspect that her brother is alive and leaves. Spurred on by Sir Toby, Sir Andrew follows to continue the fight.


Malvolio approaches Olivia, enacting the absurd instructions of Maria’s forged love-letter. Olivia assumes he has gone mad and leaves him with Maria and Sir Toby, who delight in pretending he is possessed by Satan, and lock him up.
Sir Andrew fights Sebastian, believing him to be Cesario, and Olivia rushes to intervene. She begs forgiveness from Sebastian, also taking him for Cesario, who is at once confused and delighted by her tenderness, and agrees to marry her.

Finally, Orsino decides to visit Olivia himself, with Cesario/Viola tagging along. When Olivia rejects him again Orsino threatens to kill Cesario, despite his own strong affections for the page, suspecting her to be in love with ‘him’. Dismayed at Viola/Cesario’s willingness to die for the Count, Olivia reveals that they are married, to Viola’s bafflement.
Sebastian enters. Everyone is amazed to see the identical Viola and Sebastion together, and they are overjoyed to have found one another. Orsino realises that Viola loves him, and agrees to marry her.
Malvolio arrives with the letter, which Olivia reveals was written by Maria (now married to Sir Toby), and he vows to be revenged.


The play is riddled with appearances from the fool Feste, who ends the play with a song about growing through life’s stages, the chaos of human experience, and the hope that the audience enjoyed the play.

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